Immortal Tempest

“For I am I:
ergo, the truth of myself;
my own sphinx, conflict, chaos,
vortex – asymmetric to all rhythms,
oblique to all paths.
I am the prism between black and white:
mine own unison in duality.”
– Austin Osman Spare

“For I am I:
ergo, the truth of myself;
my own sphinx, conflict, chaos,
vortex – asymmetric to all rhythms,
oblique to all paths.
I am the prism between black and white:
mine own unison in duality.”
– Austin Osman Spare

Sierra and Salvador got some baby dragons!
3D prints of the Barbossa model with reduced size (2/3 of original print size); Firnen (green) and Ravok (black/red)

My Decryption Paradox series continues:
After all, my opinion about sanity changed. I wonder if it ever had been more than just a convention or an agreed mode of thinking, which excluded from our view the full strangeness of the universe.
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Quick doodle as a gift for someone. Charizard is their favorite pokemon.

When the Couldsailors roamed through the sky, sometimes they saw the legendary dragon of Kamahul in the distance or vaguely hidden behind clouds, a good omen and bless for their travels.
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When the tower collapsed under the wrath of the sky, the eternal serpent was set free and stared at the horizon it longed for decades.
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After all, my opinion about sanity changed. I wonder if it ever had been more than just a convention or an agreed mode of thinking, which excluded from our view the full strangeness of the universe.
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(Oil on paper; in progress; third session)
“There are various eyes. Even the Sphinx has eyes. And as a result there are various truths, and as a result there is not truth.“
– Friedrich Nietzsche
Nearly finished it! As soon as the current layer of paint has dried I’ll add the final details and shades.

(Oil on paper; in progress; third session)
“There are various eyes. Even the Sphinx has eyes. And as a result there are various truths, and as a result there is not truth.“
– Friedrich Nietzsche

(Sketched with pencils and ballpoint pen on A4)
A Mutation of Myself.
Annihilation or Transformation.

First print of model “Barbossa”, the adjusted version of Salvador. In contrast, painted with dark blue and silver.
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